原記憶交感儀 Kazuhiro Nishijima: April, 2007

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4/29/2007

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All Links of Kazuhiro Nishijima's web site

孑孑彷徨変異[文章] 　原記憶交感儀[写真] 　行為∞思考[art-word]

孑孑彷徨変異
"Wriggler wandering mutation" [文章]

原記憶交感儀
"Think about 'proto-memory'" [写真]

行為∞思考
"Act∞Thought" [キーワード集【art-word】]

aetta
[時空を超えて、過去への案内状シリーズ]

空集合
[φAETTA風便]

[mixi]

slide show 1　slide show 2　slide show 3　slide show 4　slide show 5
photo 1　photo 2　photo 3　photo 4　photo 5
φAETTA slide-show Index

contact me: e-mail: Kazuhiro Nishijima

Spanish Here

Kazuhiro Nishijima

[Think about "proto-memory"]

C.V. : We had done intermittent activities adjacent to happenings or performance since 70's. These activities were not clearly named in those days, but we began to use the word "TAIGEN (appearance in body)" in 1988 and started the group "TAIGEN SHUDANφAETTA". Since then we have continued various solo performances and group performances under that name. To us "TAIGEN" is different from so-called performance art as the modern artistic expression wide open to public ; rather it is the individual journey to the ground far from our oppressive illusion called "expression".

Venue: Japan, France, Hong Kong, Macao, U.S.A., Taiwan, South Korea, Indonesia, Thailand, Serbia Montenegro, Hungary, Slovakia, Poland, Canada, Mexico, Myanmar, Philippines, Malaysia, Singapore, Ireland, China.

TAIGEN : [Think about "proto-memory"] CONCEPT : Think about "proto-memory" that is far older than we were born on the earth. I don't know whether it exists or not, but supposing it I try to devote my body to our earliest experiences or subconsciousness that seems the nearest doorway to the "proto-memory". It is not because I want to take a glance at my/our subconsciousness, but because I want to mediate on whether I can correspond with my/our in-ner deep space beyond which the "proto-memory" possibly exists or not, I wonder if it might "exists" in my/our nearest daily life, or otherwise --.

KENTLER INTERNATIONAL DRAWING SPACE
Kazuhiro Nishijima's archive in NY: http://www.kentlergallery.org/pages/archives/11_02.html

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